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Flexible

Jean-Michel Basquiat
1984/2016
24 color screenprint on paper
Edition of 85 stamped and signed on verso by Lisane Basquiat and Jeanine Herveaux, the artist' sisters and administrators of the Estate of Jean-Michel Basquiat
60.2545.50

 Jean-Michel Basquiat (December 22, 1960 – August 12, 1988) was an American artist, musician, and producer. He first achieved notoriety as part of SAMO, an informal graffiti group who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, post-punk and street art movements had coalesced. By the 1980s he was exhibiting his neo-expressionist and primitivist paintings in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on "suggestive dichotomies", such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, and figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a "springboard to deeper truths about the individual", as well as attacks on power structures and systems of racism, while his poetics were acutely political and direct in their criticism of colonialism and support for class struggle.

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 Jean-Michel Basquiat (December 22, 1960 – August 12, 1988) was an American artist, musician, and producer. He first achieved notoriety as part of SAMO, an informal graffiti group who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, post-punk and street art movements had coalesced. By the 1980s he was exhibiting his neo-expressionist and primitivist paintings in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on "suggestive dichotomies", such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, and figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a "springboard to deeper truths about the individual", as well as attacks on power structures and systems of racism, while his poetics were acutely political and direct in their criticism of colonialism and support for class struggle.

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LANA CARLSON is an international curator who started her career in Paris and St. Petersburg after receiving an education at the Sorbonne and School of Louvre. As founder and director of Modern Art Gallery, Lana has curated numerous exhibitions and participated in art fairs around the world. Lana also curated and produced the first ever state museums exhibitions of Auguste Rodin in Moscow and Saint-Petersburg.

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